Designing the art of living
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She used to pretend to host a cooking show in her kitchen, and to this day still loves creating content to educate her audience and enhance their lives. In these circumstances, the miracle of this double bill from the Royal Opera’s Jette Parker Artists was how intensely gripping it was. Soprano Valentina Puskás was compelling as Martinů’s Eleonora (a woman whose mother is trying to marry her off to Satan) but genuinely hair-raising – the coloratura tour-de-force was hers – as one of the two Attendants in Full Moon. Mezzo Veena Akama-Makia was disturbing as Harbison’s Queen and almost funny as Martinů’s appalling Mother, her controlled vibrato mesmerising. As Martinů’s Satan and Harbison’s Swineherd, baritone Edmund Danon pulled off both slapstick physical comedy and an impassioned quasi-mad scene. I was, repeatedly, in these extraordinary performances of two supremely weird operas.
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Troweled cement plaster was applied to the walls, and handcrafted Zia tile adds pattern to the floor. Designer Karen Billman made Dunn-Edwards’s Skipping Stones the star of her cheery sunroom. She complimented the vibrant hue with metallic accents, Roman shades in a Morris & Co. fabric, and chairs upholstered in a moss green textile by Wesley Hall Fabrics.
Larmes de Couteau/Full Moon in March review – two supremely weird operas
The designer established two seating areas within the space, including a cozy gathering spot with chaise longues that flank the original carved marble fireplace. The room’s coffered ceilings were enhanced with a faux-wood decorative painting by Jhon Ardilla. “I really feel like the dining room is a forgotten room,” says the designer, who set out to prove how vital the space is to a home.
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This involved freezing $300 million worth of Russian assets abroadiii and banning Russia’s Central Bank from selling government bonds to Western markets. Moreover, Russia’s largest banks were cut off from SWIFT, a digital banking system which allows banks to conduct international monetary and security transfers. As the Pasadena Showcase House of Design enters its 59th year, it’s returning to a familiar setting. The Potter Daniels Manor, the English Tudor Revival–style residence that hosted the 1975 and 1996 showcase houses, has been reimagined with 30 new interior and exterior spaces for the 2024 edition, which is now open until May 19. By and large, Russia has found ways to soften the impact of every Western sanction. It avoided a ruble crash by raising interest rates and banning investors from dumping the ruble.
The plot of Full Moon in March, meanwhile, made sense on paper (a quest piece involving a swineherd as the wannabe suitor of a queen) but in performance the libretto – adapted from a WB Yeats play – verges on impenetrable. The landmark mansion was built in 1902 by architect Joseph J. Blick for Gertrude Potter Daniels, who paid $15,000 for the shingle-style home. In 1905, Susanna Bransford Emery-Holmes—known as the Silver Queen thanks to the source of her late husband’s fortune—purchased the home and soon made it her own. In 1922, she spent $37,000 to have the Postle Company of Los Angeles, who also built the Pasadena Playhouse, remodel it into an English Tudor Revival–style mansion, giving it the regal exterior that remains today. Valentina has always been drawn to designing gorgeous spaces and experiences for others. As a child, she aspired to be a buyer and designer (talk about dreams coming true!).
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It softened the effect of export bans and price controls by finding new partners and utilizing stealthy shipping schemes. It bypassed the West’s import restrictions by rerouting trade routes through Central Asia. Even though the weather outside might not have gotten the memo, we’re absolutely in full-on Fall mode here at the House of Valentina! If you caught my latest Fall Decor video on YouTube, you already know that I tend to steer clear of the typical autumnal decorations (don’t worry, Halloween’s in the works, and I’ll share those delights soon). My take on Fall decor leans towards a subtler, more timeless approach, one that uses fabrics, textures, and scents to keep our home feeling fresh yet consistently inviting all year round.
Cozy Stylish Chic Creative Director Jeanne K. Chung and designers Angela Lee and Caroline Meloche brightened the dark wood-paneled library to create a space where residents can unplug. Wallpaper was added to the ceiling and the backs of the bookcases, and heavy wood blinds were replaced with soft draperies and Roman shades to make the space feel lighter. The firm used a mix of fabrics and wall coverings by Ralph Lauren Home from Designers Guild throughout the space. A palette of whites, deep blues, and gold creates an elegant atmosphere in the formal living room, which was designed by Rachel Duarte.
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Hand-painted floors were the jumping-off point for designer Amy Peltier’s soothing primary bedroom design. “It was so much work, but it turned out beautiful.” The firm wanted the space to feel “light and airy and breezy,” and incorporated fabrics and wall coverings by Thibaut in a soft color palette. Peltier and designer Marina Kelly installed an arch to divide the bedroom from the sitting area, breaking up the large space.
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Designers Frank Slesinski and Serena Brosio collaborated on the charming living room in the Gatehouse. “One of the main things we did was add a window seat, which looks like it should always have been here,” Slesinski says. “Our whole goal with this space was basically to turn the lights on in the room, bring in the garden that’s outside, and kind of have an experience of a breath of fresh air,” Brosio says.
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You’ve asked about these for a long time and we’ve developed the definitive guide to every paint color we use in the common rooms of the House of Valentina. These are our absolute favorites and often find their way into our design work for clients as well. Click the button down below to download the PDF so you can take it with you to your local paint store. Firstly, future sanctions absolutely must involve Global South countries where the West has influence, such as India, Turkey, and Kazakhstan. Otherwise, Russia will simply keep finding new markets to redirect their exports to.
Thibaut wall coverings and fabrics were used for the walls and windows, and the elegant shagreen-covered vanities are accented with gleaming fixtures by P.E. Videla-Juniel and project manager Cheryl Hardy also installed a striking shower clad in herringbone stone tile. Lastly, Europe needs to completely halt purchases of Russian oil and gas, and there needs to be greater enforcement of the oil price cap as Russian ships keep bypassing the system. The cap could also be raised considering it costs a Russian monopoly $20-$25 to produce a barrel. Samatha Williams’s Tearoom in the Gatehouse is brimming with vintage charm and elegant accents.
The room is anchored by a Riva 1920 table made with the wood of a 50,000-year-old Kauri tree, which Levine surrounded with seating for 12. Another seating area with views of the garden was designed for more intimate dining, games, or meetings, and it’s illuminated by a Murano glass chandelier. At the far end of the room, Levine installed a lush purple sofa with cocktail tables, creating the perfect spot for drinks, dessert, or relaxing with a cup of coffee. The designers worked with a color palette of Dunn-Edwards paints, and several chose to highlight the brand’s 2024 Color of the Year, a steely blue called Skipping Stones.
A brick-walled patio became a party-ready outdoor kitchen and dining area thanks to Douglas R. Sanicola of Outdoor Elegance. Sanicola and Monique Wood installed Caesarstone countertops fabricated by Carlito’s Way Stone to create a functional space for outdoor entertaining. The event draws more than 25,000 guests each year and offers several dining spaces, including Roe Japanese Fusion, the Tudor Rose Bistro, and Wattle & Daub Tavern. The Shops at the Showcase offer an array of merchants, from handmade jewelry to artisanal chocolates, and are also home to the Shops’s Wine & Cheese Bar. Western monetary sanctions aimed to undermine the ruble by discouraging or outright banning foreign investments in Russia, and to erode the central bank’s ability to refinance the ruble.
She launched House of Valentina in 2012 while living in Copenhagen, bringing the lifestyle brand to her hometown of Atlanta in 2016. She leads her own design team and creates weekly content for her ever-growing YouTube audience. Valentina’s style has been heavily influenced by her 12 years living abroad in Spain, Morocco and Denmark. By studying local languages, cultures and living in each country she gained a more global “no rules” approach to design. She always jokes that she’s not above inviting herself in, her fearless attitude has allowed her to see and experience countless homes around the world.
One had its head torn off as the violent accompaniment to a coloratura tour-de-force. Moments earlier, the backdrop had parted to reveal an entire wall of mutilated bears, clumsily taped back together. And, in one of the most disturbing moments of all, a human-scale teddy wandered on playing an accordion like a cameo in a horror film, before eventually removing its own oversized head to pick a fight with one of the singers.
Landscape architect Elisa Read Pappaterra filled the center fountain with cascading succulents. Designer Ashleigh Miranda focused on juxtaposing technology and earthy elements in her moody media room. “I really wanted to showcase state-of-the-art technology but in a way that was grounded and spoke to our primitive nature.” Cutting-edge tech from Bang & Olufsen, Lutron, and JoshAI is balanced by curvaceous seating and unique art.
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